舞臺(tái)區(qū) ?CreatAR Images

柱廊地坪和博物館一樣被抬高 ?CreatAR Images設(shè)計(jì)單位 Wutopia Lab項(xiàng)目地點(diǎn) 中國上海建成時(shí)間 2022年12月建筑面積 170平方米撰文 俞挺

我覺得人總會(huì)遇到各種事情，時(shí)間會(huì)治愈他們?！犊Х裙纭稩 think people go through these things and with time they come out ok.——Café Society

Wutopia Lab設(shè)計(jì)的上海歷史博物館滿坡栗咖啡館，于2023年2月在博物館西樓一樓落成開放。Piazza in a room, the Mapoly Coffee in Shanghai Historical Museum, designed by Wutopia Lab will be opened in February 2023 on the first floor of the museum's West Building.

項(xiàng)目概覽 ?CreatAR Images

咖啡，上海

上海有世界上最多的咖啡館，你可以在這里找到日式、韓式、美式、臺(tái)式或者東南亞的咖啡館，甚至在永康路上你還可以發(fā)現(xiàn)一間破敗但還維持驕傲的80年代臺(tái)灣日式咖啡館，但就是沒有上海的咖啡館。不過上海的咖啡館歷史卻很悠久，張愛玲1945年發(fā)表在《天地》雜志上的《雙聲》一文，打頭便講自己同好友出門，不論干什么，最后的終點(diǎn)大抵是找一家咖啡館。那時(shí)的上海咖啡館是城市中的公共空間，提供咖啡點(diǎn)心之余，它可以是舞廳，可以是會(huì)議室，也可以是圖書館，是上海的信息中心，是日常的社交場所。You can find Japanese, Korean, American, Taiwanese or Southeast Asian cafés, and you can even find a run-down but proudly maintained 1980s Taiwanese Japanese café on Yongkang Road, but there is no such one that represents Shanghai. However, Shanghai has a long history of cafés. In Eileen Chang’s essay "Double Voices" published in Tiandi magazine in 1945, she began by saying that when she went out with her friends, no matter what they did, they would always end up in a café. At that time, cafés in Shanghai were communal spaces in the city, serving beverages and snacks, but they could also be dancing halls, meeting rooms, libraries, information centers, and everyday social places.

“作為人，作為人，真是不錯(cuò)啊?！?/p>

咖啡，廣場

咖啡館平面是一個(gè)刀把形，由于文物局要求不得改動(dòng)外立面，加之西樓是原跑馬廳的馬廄，所以原建筑立面的窗子都是高窗而且應(yīng)要求都是磨砂玻璃，這造成室內(nèi)采光不足，同時(shí)也無法把室外的風(fēng)景引入室內(nèi)。The plan of café is shaped like a knife-handle. The bureau of cultural heritage requested to preserve the facade. In addition, the west building is the former stables of the horse racing hall, so the windows of the fa?ade are all high and require frosted glass, which causes a lack of indoor lighting and exterior views.

平面圖 ?Wutopia Lab

咖啡館被封印在西樓一樓里。我突然想，如果我把外墻內(nèi)立面看成外立面，那么咖啡館的主要空間就不是室外了嗎？我把失去風(fēng)景的注意力轉(zhuǎn)移到室內(nèi)，這樣將室內(nèi)室外化的處理可以解除封印。The café is sealed in the first floor of the west building. It suddenly occurred to me, if I regard the interior fa?ade as exterior, isn’t the main space outdoor? Such exterized-interior could lift the seal.

被封印在西樓一樓里的咖啡館 ?CreatAR Images

那么室內(nèi)的中心應(yīng)該是啥，要知道中心還有一根巨大的柱子。歐洲的小廣場是城市類型中最具社交性的場所，因此，我決定參考《建筑模式語言》，用各種建筑部件組合成一個(gè)抽象的廣場植入西樓一樓的室內(nèi)從而創(chuàng)造一個(gè)歡快的社交場所，一個(gè)上海的咖啡館。The interior space is actually hard to deal with since there is also a huge column in the center. The most public place in the urban typology would be those small squares in Europe. I decided to create a cheerful communal place, a Shanghai café, by combining various building components into an abstract square implanted in the interior of the first floor of the West Building, referring to A Pattern Language (Christopher Alexander, Murray Silverstein, and Sara Ishikawa, 1977).

中心一根巨大的柱子 ?CreatAR Images

歐洲的小廣場一般的室內(nèi)空間 ?CreatAR Images

我將中央的柱子改成帶有許愿池的紀(jì)念碑，背后刻有我的小說片段。圍繞著它，有臺(tái)階、柱廊、帶壁爐的舞臺(tái)、作為陽臺(tái)的玻璃包廂，可以有鮮花、咖啡、一點(diǎn)酒、愛情、八卦、寵物、脫口秀，突然一曲阿爾罕布拉宮的回憶以及即興的探戈，喧鬧、歡快以及隱藏的嫉妒。The central pillar was repurposed as a monument with a wishing pool, behind which a segment of my novel is inscribed. Around it, there are stairs, a colonnade, a stage with a fireplace, and a glass box as a balcony. There can be flowers, coffee, a little wine, love, gossips, pets, stand-up comedy, a sudden song of memories of the Alhambra and an impromptu tango. There can be hustle, cheerfulness as well as hidden jealousy.

“昨天不過是今天的回憶，明天不過是今天的夢(mèng)想?！薄癥esterday is but today's memory and tomorrow is today's dream.” （The Prophet, Kahlil Gibran, 1923)

帶有許愿池的紀(jì)念碑 ?CreatAR Images

作為陽臺(tái)的玻璃包廂 ?CreatAR Images

許愿池和玻璃包廂 ?CreatAR Images

一段微型城市

顧客從黃陂南路過街樓進(jìn)入時(shí)，原先需要從咖啡館和公共衛(wèi)生間公用的前廳抵達(dá)咖啡館，我們決定拆除三扇玻璃門，把前廳變成灰空間，一個(gè)呼應(yīng)室內(nèi)廣場柱廊的外廊，由此推開大門上幾步進(jìn)入被稱為博物館的咖啡館吧臺(tái)區(qū)。黑色的吧臺(tái)區(qū)位于“刀把”的把手部分，服務(wù)空間占去其主要面積。我們把過道變成展覽區(qū)和散座。大門的一側(cè)是是用綠色手工磚打造的一個(gè)外賣等候區(qū)，同時(shí)也是一個(gè)和上海歷史博物館合作的小型畫廊，你會(huì)驚喜地看到外賣咖啡會(huì)從一個(gè)暗藏的畫框中遞出來。When customers entered from the South Huangpi Road arcade, they originally had to reach the café through a common vestibule and public restrooms. We decided to remove the three glass doors and turn the vestibule into an ambiguous space, a porch echoing the colonnade of the indoor plaza. From there, we pushed open the doors and took a few steps up into the bar area of the café. The black bar area is the handle part of the “knife handle”, and the service space takes up the main area. We turn the aisle into an exhibition and casual seating area. On one side of the door is a take-out waiting area made of green handmade bricks and a small gallery in collaboration with the Shanghai Historical Museum, where you will be surprised to see take-out coffee being handed out from a hidden frame.

軸測(cè)示意圖 ?Wutopia Lab

前廳灰空間 ?CreatAR Images

充當(dāng)展覽區(qū)和散座的過道 ?CreatAR Images

綠色手工磚打造的外賣等候區(qū) ?CreatAR Images

博物館的盡頭是一道不銹鋼推拉門，門后是白色柱廊。柱廊地坪和博物館一樣被抬高，這樣一來，原本的高窗就變成正常尺度的窗戶。從柱廊拾階而下，就是那白色的廣場。站在廣場回望，黑色的吧臺(tái)嵌在白色的柱廊里，我在那里給自己留了一個(gè)可以躲起來喝一杯旁觀廣場喜劇的位子。而沿外墻的柱廊放滿了低矮的沙發(fā)，那是我在伊斯坦布爾的水煙咖啡館里的印象改寫。陽光下，慵懶地感受柱廊里的煙霧繚繞，生活無非就是這么一些。At the end of the museum is a stainless-steel sliding door with a white colonnade behind it. The floor of the colonnade is elevated to level with the museum, so that the high windows would fit in the scale of a human being. From the colonnade, the steps lead people down to the white plaza. Looking back from the square, the black bar is nestled in the white colonnade, where people could have a seat to rest and drink while watching the comedy in the square. And the colonnade along the outer wall was filled with low sofas, a rewrite of my impressions from the hookah cafés of Istanbul. Sun shines through the smokes flowing in the colonnade. Being cozy, life is just like that.

柱廊拱券 ?CreatAR Images

沿外墻的柱廊 ?CreatAR Images

外側(cè)的高窗 ?CreatAR Images

滿坡栗咖啡，從柱廊進(jìn)入帶展廳的博物館再走到帶柱廊的廣場，它就是我設(shè)想的微型城市的一個(gè)片段。把這個(gè)Piazza in a room放大100倍，就是我理想的城市——上海。Mapoly Coffee, from the colonnade into the museum with exhibition halls and then walk to the square with colonnade, is a fragment of the miniature city I envision. Scaling up this ‘Piazza in a Room’, it is then my ideal city – Shanghai.

“Nobody learns without getting it won.”由柱廊看向廣場 ?CreatAR Images

由廣場看向柱廊 ?CreatAR Images

我要一點(diǎn)裝飾

但我的上海不是那種極簡主義的上海，它需要一些很節(jié)制裝飾，是關(guān)于記憶和象征的符號(hào)。入口敞廊的地面中間鑲嵌的是我們翻修時(shí)發(fā)現(xiàn)的當(dāng)年馬廄的地磚，在鑲嵌黑色吧臺(tái)的柱廊拱券上還能看到紀(jì)念馬廄的馬蹄鐵符號(hào)。黑色的博物館里的高護(hù)墻板、琺瑯地磚、拼花地板和綠色手工磚在塑造一種真實(shí)又不真實(shí)的記憶中的上海，而設(shè)計(jì)靈感來自于咖啡果的彩繪玻璃天花則把這種記憶戲劇化了。My Shanghai is never minimalist. She needs some very restrained decoration, markers of memories and symbolism. The floor of the entrance gallery is inlaid in the middle with tiles from the stables that were found during the renovation. The horseshoe symbol commemorating the stables can also be seen on the arches of the colonnade in the black bar. The high siding, enamel floor tiles, parquet flooring and green handmade tiles in the black museum are shaping a Shanghai that is both real and unreal in its memory, which is dramatized by a stained-glass ceiling inspired by coffee cherries.

由座位看向黑色吧臺(tái) ?CreatAR Images

座位區(qū) ?CreatAR Images

舞臺(tái)區(qū) ?CreatAR Images

裝飾也來自于材料，我用黑色木材覆蓋了吧臺(tái)區(qū)，用白色石材覆蓋了入口敞廊和廣場。地面都是白色石材鑲拼的彈格路地坪。石材轉(zhuǎn)角包括壁龕都做了連續(xù)的折角處理。入口的地面壁龕有著蠟燭，而視線所及的壁龕其實(shí)是洞口，隱約可見綠色外賣區(qū)和背后的黑色吧臺(tái)以及白色的紀(jì)念碑。這很不建筑師，但裝飾從來不是罪惡，是我們需要滿足自己的一點(diǎn)小意義。I covered the bar area with black wood and the entrance gallery and plaza with white stone. The flooring is all white stone parquet with grid line pop-ups. The stone corners, including the niches, are continuously fillet. You can see the ground niche at the entrance with candles, while the niche in sight, representing cave entrance, the green take-out area, the black bar and white monument behind it faintly visible. It’s not very architectural, but decoration is never a sin, it's the very little bit of meaning we need to satisfy ourselves.“Because we need a witness to our lives.”

彩色玻璃紋樣 ?Wutopia La

入口的壁龕 ?CreatAR Images

Shall we dance

我是一個(gè)面臨危機(jī)的中年男人，我在歷史博物館里創(chuàng)作的這個(gè)咖啡館滿足了我一個(gè)年輕時(shí)候的愿望，讓役所廣司或者艾爾帕西諾可以在這里即興跳一段探戈。我端著香檳酒靠在臺(tái)階上有些微醺，臺(tái)階上的大門其實(shí)是個(gè)屏幕，讓我的思緒能夠穿越。我的好朋友舞蹈家周吉天、朱麗千在廣場里的探戈讓我回憶起那個(gè)充滿可能性又勇敢的90年代。I am a man facing a middle-aged crisis. But creating this café, where Yakusho Hiroshi or El Pacino could improvise a tango, I fulfilled my dream from my youth time. I leaned against the stairs, being a little tipsy with champagne, and the door on the stairs was actually a canvas for my thoughts to linger. The tango in the square by my good friends, dancers Zhou Jitian and Zhu Liqian, reminded me of the 90's, a time of possibilities and bravery.

Shall we dance？我不會(huì)跳舞，但我想和你笨拙而放恣地一舞，紀(jì)念碑上的天花永遠(yuǎn)是晴天，無論外面刮風(fēng)下雨。Shall we dance？Well, I don't know how to dance, but I want to dance with you awkwardly and clumsily, and the ceiling on the monument will always be sunny, no matter if it is storming outside.

“All I want from you is another day.”

咖啡館中的舞蹈演出 ?CreatAR Images

這是我的上海

滿坡栗咖啡館是可以展示日與夜交替的生活方式的城市，是我的某個(gè)上海的片段。我曾經(jīng)一度失去對(duì)上海的信心，也因?yàn)樵诓〈采蠏暝β晣@氣，可是當(dāng)我推開厚重的黑色大門，那個(gè)熟悉而勇敢的上海撲面而來。嗯，上海一直活著。The city where Mapoly Coffee can showcase the alternating day and night lifestyle is a certain clip of Shanghai in my eyes. I had once lost faith in Shanghai and sighed because I was struggling in the hospital bed. But when I pushed open the heavy black doors, a familiar and brave Shanghai came crashing down on me. Well, Shanghai has been alive.

“Sometimes if you love someone, you gotta be strangers to them”

萊昂納德說，這就是生活的辛酸，而且我們不僅要忍受這種無意義，更要因?yàn)闊o意義而向生命喝彩?！犊Х裙纭稬eonard says, it’s the poignancy of life, and not only do we have to embrace its meaninglessness, but celebrate life because it has no meaning——Café Society

完整項(xiàng)目信息

項(xiàng)目名稱：Piazza in a room/上海歷史博物館滿坡栗咖啡館

設(shè)計(jì)公司：Wutopia Lab

主持建筑師：俞挺

項(xiàng)目建筑師：孫麗然

設(shè)計(jì)團(tuán)隊(duì)：況舟、潘大力、高博龍（實(shí)習(xí)）

深化公司：上海呈煜空間設(shè)計(jì)有限公司

設(shè)計(jì)團(tuán)隊(duì)：戴云峰、郭佳女、吳曉艷、趙如意、崔銷銷、王彬彬、馬川川、張敏敏

照明顧問：張宸露、杜雨軒

材料顧問：孫靜

攝影：CreatAR Images

舞蹈：周吉天、朱麗千

業(yè)主：福德速(上海)企業(yè)發(fā)展有限公司

施工單位：萬江建設(shè)

施工團(tuán)隊(duì)：王麗洋（施工總監(jiān)）、陳衛(wèi)明（項(xiàng)目經(jīng)理）、吳吉順（隊(duì)長）

項(xiàng)目地址：中國，上海，上海歷史博物館西樓

建筑面積：170平方米

竣工時(shí)間：2022.12

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