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剝離墻體結(jié)構(gòu)之后，家便如同陳列著一件件凝聚著主人記憶單品的空間，造訪一個家，就像走進主人的經(jīng)歷與情感中去。

After stripping away the wall structure, the home is like a space displaying the owner’s memory pieces. Visiting a home is like walking into the owner’s experience and emotions.

▼室內(nèi)概覽，Overview of the interior ?陳銘

簡化空間是為了讓物品與材質(zhì)組織自己的語言，也是因為相信“這個人”就是最好的風(fēng)格，現(xiàn)代家居空間除了可以充當(dāng)社交場所以外，它更應(yīng)該是一個能夠?qū)徱曌晕?，與自己對話的回歸型場所，他們將在這里工作休憩對話，上演一幕又一幕關(guān)于生活平凡且美好的場景。

Simplified space in order to make goods and material organization own language, but also because believe that “the people” is the best style, modern household space besides can serve as a social place, it should be able to look at ourselves, the return of the dialogue with their place, they will work here open dialogue, staged scene after scene of life is ordinary and beautiful scenes.

▼用餐區(qū)看向客廳概覽，A view from the dining area to the living room ?陳銘

項目位于武漢光谷腹地，原始戶型建筑面積170㎡，是一套4居室，當(dāng)下的狀態(tài)是二人居住，所以希望房子呈現(xiàn)出來的狀態(tài)是開放多元通透無阻礙的。屋主夫婦二人，男屋主吳老師是武漢某著名高校的計算機教師，女屋主木子老師則經(jīng)營著一家藝術(shù)傳媒教學(xué)機構(gòu)，對藝術(shù)與美學(xué)有著深刻的理解和極高的造詣，每年往國內(nèi)各大傳媒藝術(shù)高校輸送著眾多青年人才。

The project is located in the hinterland of Wuhan Optical Valley, the original house construction area is 170 square meters, is a set of 4 bedrooms, the current state is two people live, so I hope the house to show the state is open, multiple transparent without obstacles. The house is a couple of people, the male house teacher Wu is a computer teacher of a famous university in Wuhan, the female house teacher Muzi is running an art media teaching institution, has a deep understanding of art and aesthetics and extremely high attains, every year to the major media arts colleges and universities in China to transport many young talents.

▼客廳概覽，Overview of the living room ?陳銘

我們喜歡在設(shè)計上運用不同材質(zhì)之間的層次感和對比感來達(dá)到感官享受。在這個空間里，我們大量使用了深色和中性色的不同質(zhì)感的材料和軟裝單品，以便達(dá)到屋主和我們對于這個新家共同期待的樣子。

We like to use the sense of layering and contrast between different materials in the design to achieve sensory enjoyment. In this space, we made extensive use of materials and soft furnishings in different textures of dark and neutral colors, in order to achieve the look that both the owner and we wanted for this new home.

▼客廳沙發(fā)近景，Sofa at the living room ?陳銘

目之所及，黑棕色的天然木皮，中灰度的藝術(shù)涂料，深灰度的啞光地磚，深灰度的巖板在眼前一字排開，理性俊朗的氣息油然而生。金屬黃銅和軟裝配飾如沙發(fā)地毯綠植等的融入，同時，大量的天然木皮元素充斥于空間的各處，這也在一定程度上中和了空間的理性氣息，同時在質(zhì)感上也無限深刻了細(xì)節(jié)，達(dá)到理性與感性的微妙平衡。

As far as the eye can see, black and brown natural wood veneer, medium gray art paint, deep gray matte floor tiles, deep gray rock slabs are lined up in front of the eyes, and the breath of rational and handsome arises naturally. Metal brass and soft decoration, such as sofa carpet and green plants, are integrated into the space. At the same time, a large number of natural wood veneer elements are filled everywhere in the space, which also harmonizes the rational atmosphere of the space to a certain extent. At the same time, the texture is also infinitely profound details, to achieve a delicate balance between rationality and sensibility.

▼由客廳沙發(fā)看向置物架，A view from the sofa to the storage shelf ?陳銘

▼由餐桌看向客廳置物架，A view from the dining table to the storage shelf ?陳銘

面對沙發(fā)的落地書柜，無疑是客廳空間里最好的裝飾載體和生活表達(dá)。書柜及其背后的承重墻體結(jié)構(gòu)形成的洄游動線，豐富著空間的行走動線，也強調(diào)了空間的使用尺度和視覺尺度，折疊長虹玻璃門是客廳和書房的連接點，既融合又保持各自的獨立性，滿足男女屋主在家安靜地獨立地辦公的需求。

The floor-to-ceiling bookcase facing the sofa is undoubtedly the best decoration carrier and life expression in the living room space. The migration line formed by the bookcase and the load-bearing wall structure behind it enricates the walking line of the space, and also emphasizes the use scale and visual scale of the space. The folding glass door is the connection point between the living room and the study, which not only integrates but also maintains their independence to meet the needs of male and female house owners to work quietly and independently at home.

▼客廳置物架背后的書房，The reading room at the back of the storage shelf ?陳銘

懸挑卡座的設(shè)計很好滿足了屋主二人在書房工作時的互動性，也能很好地滿足屋主在宅家狀態(tài)中有很多位置可以隨手翻閱書籍的角落。書柜采用深棕色木板制作而成，開放的書柜結(jié)構(gòu)和海量藏書充分表達(dá)著二位屋主的學(xué)者氣息，古木紋天然大理石的嵌入美化了原始結(jié)構(gòu)因包下水管形成的柱子。一張好桌子和一把好椅子給在家工作時的狀態(tài)提供著最佳載體。

The design of the overhanging booth well satisfies the interaction between the two owners when they work in the study, and also well satisfies the owners that there are many places in the home state where they can browse books. The bookcase is made of dark brown wood boards. The open structure of the bookcase and the massive collection of books fully express the scholar atmosphere of the two house owners. The embedded natural marble of ancient wood grain beautify the columns formed by the water pipe covering the original structure. A good desk and chair provide the best vehicle for working from home.

▼書房概覽，Overview of the reading room ?陳銘

▼書架近景，Close shot of the shelf ?陳銘

我們在客廳和書房的窗洞上，均做了一個從墻體延申出來的盒體，盒體下端內(nèi)部嵌入鋼板形成支撐力度，滿足女屋主在家隨處可坐的浪漫主義需求。深棕木色百葉簾更是制造空間氛圍，調(diào)節(jié)光線的武林高手。為了降低原始陽臺梁給空間形成的突兀感，我們加寬了梁體的寬度，表面用黃銅不銹鋼來進行包覆，同時結(jié)合燈光的設(shè)計，這種刻意而為之的設(shè)計細(xì)節(jié)形成的空間視覺符號，也是我們在這次的設(shè)計實踐中較之大眾設(shè)計手法，進行的一次小小的嘗試，它即弱化了梁，也美化了空間印象。

On the window holes of the living room and study, we made a box extending from the wall. The lower end of the box is embedded with steel plate to form support strength, which meets the romantic needs of the female householder who can sit anywhere at home. Dark brown Venetian blinds are the masters of martial arts to create a space atmosphere and adjust the light. In order to reduce the sudden move of original balcony beam to the space form, we broaden the width of the beam body, use stainless steel to brass coated surface, at the same time, combined with the design of lamplight, the deliberate and space of the form for the details of the design of visual symbol, is also our than the popular design methods in the design practice, to experiment with a small, that it weakens beam, It also beautifies the spatial impression.

▼聯(lián)通書房和客廳的走廊，The corridor connects the reading room to the living room ?陳銘

透過走廊看出去的客餐廳和書房，有一種井然有序的秩序感和展覽感，每一個空間都在自己的領(lǐng)域里默默地散發(fā)出迷人氣質(zhì)，等待著和屋主的對話。女屋主期待的照片墻體安靜地陳列在書房的角落，散落于各處的燈光系統(tǒng)溫柔著在家的每時每刻。

Looking out through the corridor, the guest dining room and study have a sense of orderly order and exhibition. Each space silently exudes charming temperament in its own field, waiting for the dialogue with the owner. The photo wall that the female owner expects is quietly displayed in the corner of the study, and the scattered lighting system is gentle every moment at home.

▼走廊看向客餐廳和書房，A view from the corridor to the living room and the reading room ?陳銘

我們擴大了原始廚房的尺度，讓原始背對客餐廳的廚房有了可以面對客餐廳的可能性，從此空間與空間之間擁有了很好的互動體驗，視覺尺度上也能最大程度地看到客餐廳，書房和預(yù)備兒童房。

We expanded the scale of the original kitchen, making it possible for the kitchen with the original back to the guest dining room to face the guest dining room. From then on, we have a good interactive experience between Spaces. In the visual scale, we can also see the guest dining room, study and preparatory children’s room to the greatest extent.

▼用餐區(qū)概覽，Overview of the dining area ?陳銘

在生活場景的某天里，屋主二人在廚房內(nèi)外互動式地準(zhǔn)備著一家的晚餐，小孩子們在客廳，在多元空間，在書房，在沙發(fā)上，在地板上，在卡座上，自由嬉戲，打鬧，學(xué)習(xí)，窗外燈火闌珊，窗內(nèi)飯香四溢，這大概是關(guān)于生活關(guān)于幸福的最好詮釋。

In the one day of life scenes, house advocate interactive to two people both inside and outside the kitchen preparing a meal, the children in the living room, in space, in the study, on the sofa, on the floor, on the booth, free play, play, study, out of the window lights decayed, window rice fragrant, this probably is the best interpretation of happiness of life.

▼用餐區(qū)看向廚房，A view from the dining area to the kitchen ?陳銘

在餐廳，島臺全部結(jié)構(gòu)由金屬黃銅制作，餐桌則是由巖板制作而成，餐桌內(nèi)部植入了金屬支撐結(jié)構(gòu)。金屬黃銅島臺和巖板餐桌緊密咬合交融，是空間里一個猶如“大衛(wèi)”雕塑般的美好存在體。

In the dining room, the entire structure of the island is made of metallic brass, while the dining table is made of rock slabs with metal support structures embedded inside. The metal brass island and the rock plate dining table are closely intertwined, which is a beautiful presence in the space like a sculpture of “David”.

▼島臺近景，Close shot of the bar ?陳銘

▼廚房概覽，Overview of the kitchen ?陳銘

臥室延續(xù)著客餐廳的材質(zhì)語言，深棕色的天然木皮，中灰度的藝術(shù)涂料，突然出現(xiàn)的金屬黃銅，在光帶的作用下如神來之筆般地打破著空間的寧靜，變得精致時髦了起來。

The bedroom continues the material language of the guest restaurant. The dark brown natural wood skin, medium gray art paint, the sudden appearance of metallic brass, under the action of the light belt, like a masterstroke, breaks the quiet of the space, becoming delicate and fashionable.

▼臥室概覽，Overview of the bedroom ?陳銘

▼臥室內(nèi)的洗手間，Bathroom in the bedroom ?陳銘

衛(wèi)生間內(nèi)部同樣延續(xù)著公區(qū)的材質(zhì)語言，永恒的高品質(zhì)材料融合在豐富的空間形體內(nèi)，多樣化的經(jīng)典設(shè)計元素相輔相成，形成著一幅圖形化的現(xiàn)代構(gòu)圖。

The interior of the toilet also continues the material language of the public area. Eternal high-quality materials are integrated into the rich space form, and diversified classic design elements complement each other, forming a modern graphic composition.

▼洗手間，Bathroom ?陳銘