項(xiàng)目名稱(chēng): 莫干山大樂(lè)之野庾村民宿

設(shè)計(jì)單位: 直造建筑事務(wù)所設(shè)計(jì)

主持建筑師: 水雁飛 蘇亦奇 馬圓融

項(xiàng)目地點(diǎn)：浙江省湖州市德清縣莫干山鎮(zhèn)

設(shè)計(jì)時(shí)間：2015.03-2017.06

建造時(shí)間：2015.10-2017.06

項(xiàng)目業(yè)主：上海野舍酒店管理有限公司

項(xiàng)目建筑師：鄧丹 徐翰驊

設(shè)計(jì)團(tuán)隊(duì)：李格格 孫晶 柴西妮 周曉燕 王珂一 陳顥 羅琳琳 陳卓然 朱麗瑾 朱穎

項(xiàng)目結(jié)構(gòu): 張準(zhǔn)

項(xiàng)目機(jī)電: 陳哲 陸鵬飛 陳強(qiáng)

項(xiàng)目層數(shù): 地上三層

基地面積: 1735m2

建筑面積: 1491m2

結(jié)構(gòu)形式：磚混鋼木結(jié)構(gòu)

項(xiàng)目攝影：陳顥

項(xiàng)目基地位于浙江莫干山鎮(zhèn)庾村國(guó)營(yíng)時(shí)期蠶種廠的西側(cè)，順著山路可上到莫干山頂。場(chǎng)地從西北角轉(zhuǎn)入，由北向南逐漸跌落。

北側(cè)緊鄰村舍，曲折退進(jìn)；南側(cè)沿小溪蜿蜒延展，視線(xiàn)開(kāi)闊；

歷史遺留下來(lái)的用地權(quán)屬界定了犬牙交錯(cuò)的邊界。舊有的建筑散落在場(chǎng)地上，有些已破舊坍塌；

對(duì)岸建設(shè)中的環(huán)山路以及廢棄小學(xué)的未來(lái)狀況亦難以估計(jì); 樹(shù)木填充了村落肌理的剩余空間。這是很日常的當(dāng)代中國(guó)鄉(xiāng)村的景觀，是混雜的也是動(dòng)態(tài)的。

Located at the southwest corner of a previously state-owned silkworm farm in Yucun, Moganshan, Zhejiang Province, the project is connected to the peak of Moganshan Mountain by a mountain trail. The site can be accessed from the northwest corner and the terrain is gradually lowered from the north to the south. There are cottages standing adjacent with jagged outline on the north, whereas the southern end opens up to a panoramic view of a meandering stream. The historical legacies of lands ownership in neighborhood shape the irregular boundary of the site. Existing old buildings scatter on the ground, some of which have even collapsed; an abandoned primary school stands on the other side of the river, whose prospects still remain unknown; trees fill up the left over voids among the rural fabrics. This is the typical landscape condition of contemporary Chinese rural area, both heterogeneous and dynamic.

▼模型東北側(cè)鳥(niǎo)瞰, aerial view from northeast side of model

▼東南側(cè)鳥(niǎo)瞰, aerial view from southeast side of model

因此，設(shè)計(jì)的考量是在調(diào)和當(dāng)下周邊多變的限制，以及對(duì)未來(lái)動(dòng)態(tài)的預(yù)判下同時(shí)來(lái)展開(kāi)的。

風(fēng)景內(nèi)化的策略不僅是建立對(duì)于不利外部的防御性，反之也讓被滲透的內(nèi)部成為景觀中一部分。

同時(shí)我們希望為小鎮(zhèn)提供一些可共享的公共空間，例如擁有獨(dú)立出入口的咖啡廳、小型展覽空間以及放置在三樓的餐廳，這也造就了公共區(qū)與民宿之間特殊的流線(xiàn)關(guān)系，和多樣的游走體驗(yàn)。

The design is therefore constrained and as well motivated by both the dynamic present and the unpredictable prospects. The strategy of internalizing scenery, not only establishes a defensive gesture against the unfavorable surrounding conditions but also turns the saturated inner space into part of the landscape. At the same time, the design provides a series of public programs for the locals, such as the café (with its own separated entrance from the hotel), the small exhibition area and the restaurant on the third floor. The arrangement of programs creates a unique circulation between public space and hotel area, and various promenade experience.▼建筑體量與功能, volume and program arrangement

▼西北角街景, street view from north west corner

▼北側(cè)外景, street view from north side

▼西側(cè)外景, street view from west side

▼咖啡廳入口, entrance to the café

▼咖啡廳內(nèi)部不同開(kāi)洞與光線(xiàn), different openings and light

▼咖啡廳扁平屋頂與張拉索, the flat wood roof truss and tension-cable structure

▼咖啡廳外側(cè)涼廊與庭院, the loggia and courtyard outside café

▼咖啡廳與庭院，樹(shù)，遠(yuǎn)山, café, courtyard, old trees and distanced mountain

▼咖啡廳與建筑中心體量, café and the main building

▼大廳北側(cè)外景, exterior view from north side of hotel lobby

▼咖啡廳門(mén)廳處樓梯, stairs to the restaurant in café vestibule

▼西側(cè)走廊, corridor on west side

▼互相可視的民宿內(nèi)部樓梯與公共樓梯, hotel inner staircase and the public staircase to the restaurant can be viewed from each other

▼餐廳全景式開(kāi)洞，扁平屋頂與張拉索, horizontal openings view in restaurant owing to the flat roof truss and tensioned cable

▼餐廳北向窗景, restaurant view northward

▼餐廳VIP桌大景窗, large window view towards the old Camphor from VIP table in restaurant

▼南北黑白陽(yáng)臺(tái)處理, the black south balcony and white north balcony view of restaurant

民宿的客房盡量都設(shè)置在中心體量的南側(cè)以獲得充足的日照和更延展的景觀。

西側(cè)的涼廊和泳池區(qū)，既作為民宿入口的引導(dǎo)隔離開(kāi)道路，也與中心體量圍合成僅供內(nèi)部使用的開(kāi)放性庭院。

最東側(cè)的體量相對(duì)獨(dú)立隱蔽，作為家庭化使用的獨(dú)棟是最為合適的。

Most of the guestrooms are designated into the southern part of the main building to obtain sufficient sunlight and panoramic scenic views of the garden. At the west end, there are a loggia and a swimming pool, which frame the main entrance and create a perimeter that buffers the site from the main road. Together with the main building, the loggia forms an open backyard area that serves only hotel guests. As for the building on the east end, it is an independent and secluded villa that can be rented out to an entire family.

▼門(mén)廳入口處回望, view looking back from the entrance to the hotel lobby

▼大廳與北側(cè)古樹(shù)遠(yuǎn)山的對(duì)景, framed view northwards the old Camphor tree and the distanced mountain from the hotel lobby

▼大廳西側(cè)大窗與梧桐樹(shù), view westwards the Platnaus tree

▼大廳東側(cè)內(nèi)景，灑落的陽(yáng)光深入到室內(nèi), lobby view eastwards ,with the sunlight in the afternoon

▼北側(cè)走廊, corridor on the north side

▼二層走廊處俯望大廳, lobby view north-eastwards from corridor on 2nd floor

▼中心體量南側(cè)外景, south view of main building

▼中心體量南側(cè)外景, south view of main building

▼西南涼廊與中心體量南側(cè)外景, the loggia on the southwest side and the main building

▼涼廊與中心體量, the loggia and the main building

▼涼廊下空間, view under the roof of loggia

▼涼廊屋頂，躺椅與泳池, roof, lounge chair and the pool

▼中心體量南側(cè)與通往東側(cè)獨(dú)棟體量的小徑, south view of main building, and a path that leads eastward to the villa

▼東南側(cè)沿小溪外景, view of river landscape and the buildings from the southeast

▼不同客房?jī)?nèi)景, interior view of guestroom

▼不同客房?jī)?nèi)景, interior view of guestroom

▼不同客房?jī)?nèi)景, interior view of guestroom

▼不同客房?jī)?nèi)景, interior view of guestroom

▼15間客房平面與窗景, 15 different individual guestrooms and window views

場(chǎng)地上的百年香樟和梧桐樹(shù)，和遠(yuǎn)處的山景成為多角度反復(fù)借用的視覺(jué)對(duì)景。

窗景的思考延伸到每個(gè)房間，取得了不同的客房平面和窗戶(hù)視線(xiàn)的關(guān)系。

設(shè)計(jì)抓住了布局與內(nèi)部的拓?fù)潢P(guān)系，而在具體性放了一手，讓策略性的思維超越了概念，最終呈現(xiàn)一種自然的姿態(tài)。

Taking advantage of the site’s hundred-years-old Camphor and the Platanus trees and even the distanced mountains, the design frames scenes to create a sequence of dynamic views from the building. The framing scenery interacts differently with the layout of each individual room, and diversifies the relationships between each room’s plan and the window. While the design emphasizes the topological play of the programmatical layout and the interior scenery, it stops at the level of specificity, allowing strategic thinking surpass the concept. Eventually, the design presents a more natural gesture.

▼古樹(shù)的不同框景, the hundred-years-old Camphor is scenically framed to create a sequence of dynamic views from the building

結(jié)構(gòu)上我們采用了磚混與鋼木屋架的混合體系，在造價(jià)與景觀視線(xiàn)上取得一個(gè)最相對(duì)較優(yōu)的平衡。

最終的效果追求了一種視覺(jué)的精度，然而這個(gè)精度并不是為了突顯這些細(xì)節(jié)。相反地，是為了讓細(xì)節(jié)退后，讓它成為背景的一部分，與景觀的日常性形成關(guān)照。

一方面，設(shè)計(jì)在細(xì)節(jié)層面主動(dòng)預(yù)判了鄉(xiāng)村建造中涉及材質(zhì)交接、設(shè)備整合與供應(yīng)鏈選擇的問(wèn)題，回避一些慣常做法帶來(lái)的干擾。

通過(guò)全程的設(shè)計(jì)參與，讓我們有機(jī)會(huì)調(diào)動(dòng)不同的供應(yīng)鏈來(lái)展開(kāi)一系列的協(xié)作。例如，鋼木門(mén)窗體系、室內(nèi)膠合木門(mén)、大型可開(kāi)啟電動(dòng)窗的共同研發(fā)以及，多種燈具和家具的定制等等。

另一方面，建造過(guò)程中面臨著不可預(yù)期的誤差或錯(cuò)誤以及邊界權(quán)屬臨時(shí)變動(dòng)的突發(fā)事件，這些被動(dòng)的局面也推動(dòng)細(xì)節(jié)產(chǎn)生一系列即興的化解。

The structural system of the design is a hybrid of mixed masonry structure and wood-and-steel-trusses, which is able to strike a balance between budget and aesthetic. The design aims to achieve a type of optical precision, which is not about the precision of construction details, but, on the contrary, about creating a dialogue between the details and their background scenery. On the one hand, the detail design process aims to respond to such typical problems that one encounters when building in rural China. This includes poor construction quality, the lack of infrastructure and limited product supply. It is through an closely collaborative process that operated throughout the entire design and built development between us (the designers), prefabrication suppliers and local craftsmen that these respective issues are resolved. A series of steel/wood window and door systems, interior plywood doors, extra large automatic window as well as a series of customized light fixtures and furniture are all the product of this collaboration effort. On the other hand, the detail design is otherwise the reaction to the inevitable construction errors and the sudden changes of local constraints. As a result, these accidental issues induce a series of improvisational designs on site.

▼餐廳屋頂陰脊內(nèi)部雙層屋架，外部水溝與地面集水細(xì)節(jié)處理, double- layer wood truss under the internal ridge of roof, the gutter and the spiral rain collector detail on ground

▼大廳大型可開(kāi)啟電動(dòng)窗, the extra large automatic window in the lobby

▼化解施工誤差產(chǎn)生的柱礎(chǔ)細(xì)節(jié), column base improvisational detail due to the construction error

▼一層平面圖, site plan

▼二層平面圖, second floor plan

▼三層平面圖, third floor plan

▼剖面圖A-A, section A-A

▼北立面, north facade

▼南立面, south facade

▼東立面, east facade

▼西立面, west facade

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